Sir Woman

Existing in the extremely specific microgenre of arty girl acts with gender-juxtaposed titles (cf. King Princess, King Hannah, boygenius), Sir Woman‘s bouncy bedroom pop rests on a foundation of synths and drum machines and borrows more liberally from funk, soul, R&B, and disco than her sadgirl peers, with a sound closer to smoothcore, ready-for-NPR contemporaries like Lake Street Dive and easy-listening forebears like Hall and Oates. Jammy bops constitute the bulk of her oeuvre, but she doesn’t shy away from a yearning slowjam when the situation demands.

Sir Woman: