Lead singer Richard Araiza's theatrical baritone and a healthy helping of bongos define the sound of Los Angeles indie surf-punk band The Buttertones, a staple of the Echo Park hipster scene. Israel's Arcade explores a similar sound, blending post-punk instrumentals with Strokes-like indie sleaze vocals.
Alternative indie group Practically People headline this local band roundup at the Valley Bar. Bands? Four. Cost? $15! An ideal HarperQuest.
Sophia Allison, alias Soccer Mommy, emerged as one of a crop of indie-rock revivalist girls in the late teens, but quickly distinguished herself with her clever, ironic lyrics; her catchy pop harmonies; and her louche, modishly-depressive perspective. Also writes a hell of a bass riff. Hana Vu shares Allison's bedroom-indie aesthetic, mining the crunchy, distorted guitar sounds of 90s indie alternative bands and filtering them through a skein of teenage-girl journal pages.
Shaggy Miami alt-funk collective Magic City Hippies merge the sensibilities of funk and indie rock, with a soupcon of smooth R&B, acid jazz, hip-hop lyricism, and the sample-driven eclecticism of early Beck. Intentionally genre-bending, the band in many ways resembles the Red Hot Chili Peppers, but much less irritating; and, above all, is just trying to groove.
LCD Soundsystem and Justice headline the McDowell Mountain Music Festival, with supporting acts including Alvvays, Slow Pulp, Confidence Man, Summer Salt, and Totally Enormous Extinct Dinosaurs.