Geographer (with Lily Kershaw)
Last Exit Live 717 S. Central Ave., Phoenix, AZ, United StatesDetails TK
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Dream-pop-rockers Cryogeyser return to the Rebel Lounge with their spaced-out, depressive guitar jams; juxtaposed against the sweet, clear vocals of lead singer Shawn Marom. Starling frontwoman Kasha Willett's reedy, slightly nasal voice soars over the heavy, distorted guitar chords and lugubrious basslines of the band, clear descendants of shoegaze pioneers like Sonic Youth and My Bloody Valentine.
Marquee millennial indie-rock outfit Clap Your Hands Say Yeah visit the Crescent Ballroom to celebrate the 10th anniversary of their critically-acclaimed, self-titled debut album. The band's four-on-the-floor drum-machine beats, noodly synth lines and lead singer Alec Ounsworth's warbly vocals now feel like relics of the Pitchfork Age, but so what? None of us is getting any younger. Babehoven open the show, featuring the sort of moody-sadgirl-indie-mumbling which is doubtless becoming familiar to regular readers of HarperQuest: Nights!
Spanish sweetie-pie indie-rock duo Hinds, despite a relatively thin discography, made a splash in the mid-2010s with their Euro-pop spin on indie rock; several albums later they're still going strong, forgoing complexity for a messy aesthetic that blends the energy of garage rock forebears like The Sonics with the Casiotone club instrumentation of an Ibiza discotheque.
Austinites Mamalarky perform indie rock with a decidedly chillwave influence; there's more than a hint of Steely Dan to be found here in the instrumentation underlying lead singer Livvy Bennett's fuzzed-out vocals.
Loud, brash, arguably tasteless Australian punk-rockers Amyl and the Sniffers bark and shred over four-on-the-floor drumbeats in classic garage band fashion, presided over by outrageous frontwoman Amy "Amyl" Taylor, guaranteed to put on an unforgettable live show. They're supported here by fellow female-fronted garage-revivalists Sheer Mag, who draw from 70s classic rock and early power pop, undergirding the powerful, throaty soprano vocals of lead singer Tina Halladay.
Los Angeles indie-pop band Dummy take their name from the celebrated Portishead album and aren't afraid to wear such influences on their sleeve, but they're more than shoegaze revivalists, interpolating psych-rock, glitch music, and vaporwave to create a thoroughly modern pop-rock aesthetic. "Making music shouldn't be fun" has served as the band's long-running mantra, and...
English duo King Hannah's wry, singer-songwriter aesthetic evokes contemporaries like Phoebe Bridgers, Courtney Barnett, and Sharon van Etten (a featured collaborator on the band's second album), but their titles and lyrics make clear that they trace their influences to slice-of-life Americana observers like Neil Young and, yes, John Prine. There's a strange menace lurking behind...
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